Welcome to Make-Out Music, a music blog written by Ryan Sheridan, for those in search of the perfect pop song. Forget you actually gave freak-folk a chance and take comfort in discovering pop music that can still be sophisticated. Find the perfect remix, forgotten guilty pleasure, original sample or secluded Scandinavian sound with MP3s, interviews, features and original video mash-ups. Befitting a spot on your next mixtape, it's Make-Out Music: because getting to second base needs a soundtrack.

If you have comments, questions or music of your own you'd like me to hear, please
e-mail ryan [dot] makeoutmusic [at] gmail.com. New music is always welcome. MP3s taken down upon request.


Friday, November 5, 2010

EDITORS CURED BY LULLABY

Post-post-punk Brummies cover my favorite Cure song on the NME’s “Godlike Geniuses” tribute compilation


Photo: www.last.fm/music/Editors

Editors “Lullaby” (The Cure Cover) (from NME’s Pictures of You: A Tribute to Godlike Geniuses the Cure, 2009)

would be a fool not to credit the Cure as the model for what I call make-out music — or at least its torch holders for the 80s. Pestered by romance and a tingling sensation in their pants, goth kids, as legend has it, meticulously crafted at least one mixtape with Robert Smith & Co. on Side 1 — and maybe something upbeat off Kiss Me, Kiss Me, Kiss Me for good measure on Side 2 — keeping just the right amount of hissing silence at the end to make sure the listener “got it.”

Decades later modern U.K. and U.S. bands obviously still “get it.” In February the NME, Britain’s premier Morrissey hate-mongorers, released a compilation of Cure covers after awarding the band with the title of “Godlike Geniuses” at the Shockwaves NME Awards. One of my favorite Cure songs, 1989’s “Lullaby,” also happened to be covered by Editors, one of my favorite bands to listen to when Interpol’s busy. I loved the original’s spider-like strings, rolling bass line and hovering synth and, though this cover has none of those things, Editors make it their own by speeding it up and drenching it in their signature guitar reverb. I’m still wondering, though: Which version will get that girl to fall in love with me?

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